But here lies the masterpiece—a brilliant demonstration of Bach’s genius in creating a new type of concerto, neither truly Italian nor French, but rather an original form that structures its abundant writing around melodies of striking beauty. Each concerto is unique, with different ensembles and solo instruments, all united by Bach’s inventive spirit. The result: an exceptional collection that ranges from an old-style viol consort (with an irresistible liveliness from seven players) to a grand orchestral form with nineteen musicians, including two horns and three oboes.

This work has since become a cornerstone, living up to the treasures it contains: it is now a foundation of chamber and orchestral music, especially in Germany, where it serves as a Bible for instrumentalists. The virtuosos of the Akademie Für Alte Musik Berlin have spent thirty years refining baroque interpretations on period instruments, and these Brandenburg Concertos are their flagship: ready to burst forth with choreographic energy and the exhilaration of their counterpoint!

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