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Bach : Cantates I « Le chemin d’Emmaüs »

Homepage BACH : CANTATES I « LE CHEMIN D’EMMAÜS »

Summary

Concert
  • Thursday June 11th 2026
  • Royal Chapel
  • 8p.m | 2h with intermission
Homepage BACH : CANTATES I « LE CHEMIN D’EMMAÜS »

Cast

  • Lenneke Ruiten Soprano
  • Jonathan Hanley Tenor
  • Alex Ashworth Bass
  • The Constellation Choir and Orchestra
  • John Eliot Gardiner Conductor

Presentation

The Leipzig Bachfest invited its audiences to choose the works for two Bach cantata programmes filled with masterpieces: John Eliot Gardiner responded to the public’s preferences by composing two programmes based on these suggestions.

 

This first programme presents a luminous dialogue between the tradition of the 17th-century German motet and the masterful art of Johann Sebastian Bach, a guiding figure of Baroque music.

 

The motet Wie schön leuchtet by Michael Praetorius opens the evening with an exclamation of joy: the divine light personified by the morning star. This poetic and mystical image is vividly echoed in Bach’s Cantata BWV 1, built on the same Lutheran chorale. Bach’s rich writing magnifies the text with grandeur and depth, setting the tone for this musical meditation.

 

With Ich bin die Wurzel by Johann Hermann Schein, the programme returns to a more pared-down form, rooted in sacred rhetoric. The work illustrates the art of the Germanic motet, where polyphony at the service of the word expresses an incarnate spiritual truth.

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The cantata Ich will den Kreuzstab gerne tragen, one of Bach’s rare solo cantatas, marks a moment of profound introspection: the acceptance of earthly suffering as a passage to eternal peace. The writing is poignant, almost operatic in its expressiveness.

 

The second part opens with another master of the German motet: Heinrich Schütz. His Ich bin eine rufende Stimme embodies the prophet’s call in the desert, announcing the coming of Christ. The musical language is direct, yet imbued with fervour.

 

With the cantata Bleib bei uns, denn es will Abend werden, Bach captures the anguish of twilight – both spiritual and earthly. This strikingly tender work plunges us into the intimacy of the believer imploring the divine presence as night falls.

 

The motet Ich bin ein rechter Weinstock by Schütz gently and clearly recalls the biblical image of Christ as the vine, the source of life and spiritual fruitfulness.

 

Finally, Es erhub sich ein Streit closes the programme with a triumphant fresco: the cosmic battle between Good and Evil, expressed in an exalting, jubilant, almost celestial musical language.

 

This musical journey, led by the excellence of the Constellation Choir and Orchestra under the inspired direction of John Eliot Gardiner, highlights the theological and artistic inspiration that runs through more than a century of German sacred music.

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Programme

First part : 50 minutes

 

Michael Prætorius (1571-1621)

Motet Wie schön leuchtet

 

Johann Sebastian Bach (1685-1750)

Wie schön leuchtet der Morgenstern, BWV 1

 

Johann Hermann Schein (1586-1630)

Motet Ich bin die Wurzel

 

Johann Sebastian Bach

Ich will den Kreuzstab gerne tragen, BWV 56

 

Intermission

 

Second part : 50 minutes

 

Heinrich Schütz (1585-1672)

Motet Ich bin eine rufende Stimme

 

Johann Sebastian Bach

Bleib bei uns, denn es will Abend werden, BWV 6

 

Heinrich Schütz

Motet Ich bin ein rechter Weinstock

 

Johann Sebastian Bach

Es erhub sich ein Streit, BWV 19

The Royal Chapel of the Château de Versailles

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65€ à 77€

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Catégorie 3

45€ à 53€

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125€ à 143€

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    125€
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    125€
Prestige VIP

166€

  • Tarif Plein
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PRESTIGE VIP CATEGORY : Best seats in house, you will receive a complimentary programme and a glass of champagne.

 

PRESTIGE CATEGORY : Excellent seats, you will receive a complimentary programme and a glass of champagne.

 

REDUCED RATE : applicable to under 26s, Chateau de Versailles Spectacles card holders and groups of more than 10 people (excluding special company offer).

 

GROUP RATES : for more information, please refer to our page dedicated to works councils and groups.

 

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