In Le Bourgeois gentilhomme, Molière paints the portrait of an adventurer of the mind, who has no other wish than to escape his commoner condition and set foot on lands from which he is excluded – to discover a terra incognita forbidden to him because of his status at birth. Why mock Monsieur Jourdain? The bourgeois man is simply keen to discover what we now know as “culture” and decides to take on the vast challenge of making his dreams a reality. What does it matter that his dreams are ridiculous? By choosing to restore the original comédie-ballet form of the piece, set to music with Lully’s scores, Denis Podalydès summons all the arts. In this celebration of theatre, with costumes by Christian Lacroix, the director aims for the apotheosis of the senses so avidly desired by his hero played. The purpose of the comedy is of course to laugh. But it is difficult not to feel some sympathy for this man without qualities, who attempts to initiate the very first cultural revolution all by himself.  After a thousand comical twists and turns, Monsieur Jourdain is elevated to the rank of “Mamamouchi” and has his hour of glory, in music and dance, sickened by his bourgeois status, an imaginary gentleman, both fulfilled and defeated, duped and triumphant, in a rare theatrical moment where ridicule gives way to pure amazement.

Production by C.I.C.T. – Théâtre des Bouffes du Nord
Co-production by the Opéra Royal / Château de Versailles Spectacles, Les Nuits de Fourvière / Département du Rhône, Les Théâtres de la Ville de Luxembourg, Théâtre de Liège, Théâtre de Caen, Ensemble Baroque de Limoges / Fondation Laborie, Maison de la Culture d’Amiens, Châteauvallon – Scène nationale, Printemps des Comédiens / Montpellier
With the artistic participation of the ENSAD de Montpellier Languedoc Roussillon, the ENSATT and the JTN
Tromba marina, lute-maker Jean-Claude Condi, Mirecourt
Set construction by the Ateliers des Théâtres de la Ville de Luxembourg; art & Oh – Benoit Probst
Costume design by Ateliers du Théâtre de Liège

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