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Bach : Cantates II « Actus tragicus »

Homepage BACH : CANTATES II « ACTUS TRAGICUS »

Summary

Concert
  • Friday June 12th 2026
  • Royal Chapel
  • 8p.m | 2h20 with intermission
Homepage BACH : CANTATES II « ACTUS TRAGICUS »

Cast

  • Marie Luise Werneburg Soprano
  • Peter Davoren Tenor
  • Alex Ashworth Bass
  • The Constellation Choir and Orchestra
  • John Eliot Gardiner Conductor

Presentation

The Leipzig Bachfest invited its audiences to choose the works for two Bach cantata programmes filled with masterpieces: John Eliot Gardiner responded to the public’s preferences by composing two programmes based on these suggestions.

 

This second programme opens with a serious meditation on death, grief, and faith, gradually rising towards hope, joy, and the promise of spiritual awakening. A sonic and theological journey in which German sacred music of the 17th and 18th centuries reveals all its expressive power, between Lutheran tradition and Baroque genius.

 

The motet Christ lag in Todesbanden is one of Johann Sebastian Bach’s very first cantatas, written around Martin Luther’s Easter chorale. It combines contrapuntal rigour with striking dramatic fervour, evoking the victory of life over death in a series of choral variations of great intensity.

 

With Was betrübst du by Johann Hermann Schein, the atmosphere becomes more intimate. This motet sets a psalm of lament to music, expressing the believer’s anguish in the face of God’s apparent abandonment. Schein’s refined writing, influenced by the Italian madrigal, gives this text a poignant expressiveness.

 

 

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The cantata Ich hatte viel Bekümmernis is a vast, almost dramatic spiritual fresco in two parts. Bach deals with the theme of affliction with overwhelming intensity before gradually bringing forth hope and confidence, culminating in a final chorus of exultation. It is a work of passage, from night to light, where faith acts as an inner transformation.

 

After this journey through mourning and distress, Heinrich Schütz’s motet Selig sind die Toten offers a form of peace. Adapted from the Book of Revelation, this luminous motet affirms the beatitude of the dead “who die in the Lord”. Schütz’s sober elegance gives this text a peaceful and consoling grandeur.

 

The funeral cantata Gottes Zeit ist die allerbeste Zeit, also called Actus tragicus, is one of the pinnacles of Bach’s sacred music. Composed for a funeral ceremony, it transcends the sadness of mourning into a serene acceptance of death.

 

With Ich freue mich by Schein, a breeze of joy blows again. This energetic and radiant motet expresses the believer’s rejoicing in faith, in a style that combines Lutheran clarity and madrigal liveliness.

 

The programme ends with one of Bach’s most famous cantatas: Wachet auf, ruft uns die Stimme. This work, based on Philipp Nicolai’s Lutheran chorale, is a celebration of the mystical union between the soul and Christ. Balanced, inspired, full of light, it sums up in music the joyful expectation of salvation.

 

Under John Eliot Gardiner’s inspired direction, the Constellation Choir and Orchestra brings these masterpieces to life in a faithful, vibrant, and deeply inhabited performance. A spiritual and aesthetic journey, from turmoil to consolation, from shadow to light.

 

 

 

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Programme

First part : 1h05

 

Johann Sebastian Bach (1685-1750)

Christ lag in Todesbanden, BWV 4

 

Johann Hermann Schein (1586-1630)

Was betrübst du

 

Johann Sebastian Bach

Ich hatte viel Bekümmernis, BWV 21

 

Intermission

 

Second part : 50 minutes

 

Heinrich Schütz (1585-1672)

Selig sind die Toten

 

Johann Sebastian Bach

Gottes Zeit ist die allerbeste Zeit, BWV 106

 

Johann Hermann Schein

Ich freue mich

 

Johann Sebastian Bach

Wachet auf, ruft uns die Stimme, BWV 140

The Royal Chapel of the Château de Versailles

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86€ à 101€

  • Tarif Plein
    101€
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65€ à 77€

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    77€
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    65€
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    65€
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    65€
Catégorie 3

45€ à 53€

  • Tarif Plein
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  • Tarif moins de 26 ans
    45€
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    45€
  • France Amériques
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Prestige

125€ à 143€

  • Tarif Plein
    143€
  • Tarif moins de 26 ans
    125€
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    125€
  • France Amériques
    125€
Prestige VIP

166€

  • Tarif Plein
    166€

PRESTIGE VIP CATEGORY : Best seats in house, you will receive a complimentary programme and a glass of champagne.

 

PRESTIGE CATEGORY : Excellent seats, you will receive a complimentary programme and a glass of champagne.

 

REDUCED RATE : applicable to under 26s, Chateau de Versailles Spectacles card holders and groups of more than 10 people (excluding special company offer).

 

GROUP RATES : for more information, please refer to our page dedicated to works councils and groups.

 

In case of any technical problem, the box office service remains available to complete your order by phone at +33 (0)1 30 83 78 89 (Monday-Friday from 11am to 6pm) or in our box office-shop (3 bis rue des Réservoirs, 78000 Versailles ; Monday-Friday from 11am to 6pm, and on Saturdays with concerts or shows except during the Musical Fountains Shows, from 2pm to 5pm).

 

To ensure the best welcome possible, people with limited mobility are advised to book their seats by telephone.

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