Wolfgang Amadeus Mozart lies at the heart of Raphaël Pichon’s repertoire, whose interpretation of the Requiem — supplemented with various works by Mozart — caused a sensation both in 2019, in collaboration with Romeo Castellucci, and more recently on record. This time, the focus is on the Mass in C minor.

In 2026, Pygmalion celebrates its twentieth anniversary. Founded by Raphaël Pichon, the period-instrument choir and orchestra was recently named “Best Orchestra/Best Choir” at the OPER! Awards 2025. The ensemble, which emphasizes the connections running through music history as well as the interplay between choir and orchestra — often embracing innovative staged formats — returns to Mozart’s Mass in C minor.

This magnificent score, also left unfinished at the composer’s death, is performed here by an outstanding quartet of soloists, notably including Sabine Devieilhe.

Anton Bruckner (1824-1896)

Christus factus est WAB 11

Felix Mendelssohn Bartholdy (1809-1847)

Miserere (parodie du Kyrie MWV A3)

Hora est MWV B18 (orchestration Robert Percival)

Franz Schubert (1797-1828)

Lacrimosa son io D.131b

Anton Bruckner

Ave Maria WAB 6

Felix Mendelssohn Bartholdy

Da nobis pacem (parodie de Verleih uns Frieden gnädiglich WoO 5)

Wolfgang Amadeus Mozart (1756-1791)

Messe en ut mineur KV 427

Kyrie

Gloria in excelsis 

Laudamus te

Gratias agimus tibi

Domine Deus 

Qui tollis

Quoniam tu solus sanctus 

Jesu Christe

Cum sancto spiritu 

Credo in unum Deum 

Et incarnatus est 

Michael Haydn (1737-1806)

Ave Regina Caelorum MH 140

Credo in unum Deum

Et incarnatus est

Répons Christus factus est MH 38

Sanctus 

Benedictus et Osanna

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